Lavorare a Milano

View from Duomo, Milano

Last year my employer introduced a scheme that allows me to work twenty days mostly anywhere in the world. Something which feels like being made for me, but I decided to try it out first in an easy location and at a time when workload isn’t soaring high. That’s why I decided to work the week after Christmas at Milano, a city I had only briefly explored so far. It also gave me the chance to finally see the L’Ultima Cena (I always failed to get tickets) and the chance to explore the surroundings, including Bergamo, Brescia, Torino and a long-awaited return to Como.

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Linate

Aeroporto di Linate Enrico Forlanini (LIN), Milano

Aeroporto di Milano Linate Enrico Forlanini (LIN) is one of the three major airports serving the Milano metropolitan area, alongside Malpensa (MXP) and Bergamo Orio al Serio (BGY, far away from the city). Located just about seven kilometres east of the city centre of Milano, Linate primarily handles domestic and short-haul European flights, making it the most convenient option for travellers heading directly into Milano. Its proximity to the city allows for a quick transfer – usually less than half an hour – which has long appealed to business passengers and locals alike. Despite its compact layout compared to Malpensa, Linate is known for its efficiency, modern facilities, and rather civilised atmosphere, balancing practicality with understated Italian elegance.

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L’Ultima Cena

L'Ultima Cena, Milano

The church of Santa Maria delle Grazie in Milano is one of the finest examples of Renaissance architecture in northern Italy. Built initially for the Dominican order during the late 15th century, it occupies a quiet corner of the Corso Magenta district, offering a striking contrast to the city’s modern elegance. Its brick façade, modelled in the Lombard Gothic style, conceals a luminous interior remodelled under the patronage of Ludovico Sforza, Duke of Milan, who sought to turn this monastery into both a religious house and a dynastic mausoleum. Donato Bramante, one of the early masters of the High Renaissance, transformed the apse into a harmonious ensemble of light, colour, and proportion that typifies the transition from Gothic to humanist design.

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Pinacoteca di Brera

Pinacoteca di Brera, Milano

The Pinacoteca di Brera stands as one of Milano’s great cultural treasures, housed in a former Jesuit college that became a key site in the city’s artistic and intellectual life. Its origins trace back to the late 18th century, during the Napoleonic era, when artworks confiscated from churches and noble collections across northern Italy were brought together to form a public gallery. This was part of a broader Enlightenment vision, seeking to make art accessible to citizens and scholars. Over time, the collection grew under the direction of major curators and benefactors, transforming Brera into the artistic heart of Milano.

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Navigli

Navigli, Milano

It is one of Milano’s most atmospheric districts, known for its winding canals, artistic flair, and lively spirit that blends old-world charm with contemporary urban life. The area takes its name from the navigli – the historic network of canals designed between the twelfth and sixteenth centuries to connect Milano with Lago Maggiore, Lago di Como, and eventually the Po river. These waterways once made the inland city a thriving commercial hub, transporting goods and even the marble used to construct the Duomo. The system was an engineering marvel of its time, with Leonardo da Vinci contributing significantly to the design of the canal locks during his stay in Milano .

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Museo del Novecento

Museo del Novecento, Milano

The Museo del Novecento, located in the Palazzo dell’Arengario on Piazza del Duomo, offers a fascinating journey through Italian art of the twentieth century. Its elegant modernist interior contrasts beautifully with the surrounding Gothic and Renaissance architecture, making it a highlight of cultural Milano. The museum’s layout encourages a chronological exploration of the century, beginning with the early avant-garde movements that set the tone for Italian modernism. Large windows overlook the Duomo, creating a dialogue between the art inside and the city’s monumental exterior.

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Ossario

San Bernardino alle Ossa, Milano

San Bernardino alle Ossa sits quietly behind the Duomo area of Milano, yet its story reaches back to the twelfth century, when a cemetery linked to a nearby hospital began to run out of space and a separate chamber for exhumed bones was created in 1210. A small church was added beside this charnel house in the thirteenth century, then rebuilt and enlarged over the following centuries, especially after a devastating fire in 1712 led to an eighteenth‑century reconstruction with the Baroque façade seen today. From the outside it can seem like just another historic church in central Milano, but stepping inside reveals how closely the whole complex is tied to the themes of death, charity and the city’s medieval hospital culture.

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Fondazione Prada

Fondazione Prada, Milano

The Fondazione Prada in Milano represents one of the most distinctive cultural spaces in Italy, uniting contemporary art, architecture, and conceptual design. Established by the fashion house Prada in the 1990s, the foundation’s permanent home was inaugurated in 2015 in Largo Isarco, a former gin distillery dating back to the early 20th century. The transformation of the industrial site was overseen by the Dutch architect Rem Koolhaas and his firm OMA, who preserved the site’s factory character while introducing striking modern elements such as the so-called ‘Haunted House’, a structure clad in dazzling gold leaf. The result is a deliberate interplay between old and new, where Milano’s industrial past meets the avant-garde.

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Trasporto pubblico

Metro, Milano

Milano is a compact city where you can comfortably walk between many of the main sights, especially in and around the centre between Duomo, Brera, Navigli and Porta Nuova. That said, distances can add up over a full day, and for getting out to areas like CityLife, the San Siro zone, or the airports, public transport suddenly becomes very useful. The system is run mainly by ATM and links metro, tram and bus into one integrated network, so you can switch between them on a single ticket within the time limit.

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Triennale

Triennale, Milano

The Triennale di Milano stands as one of Italy’s foremost institutions dedicated to design, architecture, and contemporary culture. Founded in 1923 in Monza as the Biennale of Decorative Arts before moving permanently to Milano in 1933, it soon established itself as a reflection of Italy’s modern identity. Its home, the Palazzo dell’Arte in Parco Sempione, was designed by Giovanni Muzio and remains an architectural statement in itself – rational yet elegant, designed to accommodate large-scale exhibitions that connect art, design, and technology.

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